Yáng Lìpíng’s Peacock Shines in Hanoi Vietnamese Handcrafted Gifts Accompanying High Art

Yáng Lìpíng’s Peacock Shines in Hanoi
Vietnamese Handcrafted Gifts Accompanying High Art

During the days leading up to the press conference of the ballet production “The Peacock Hanoi 2026,” Hanoi embraced a distinctive atmosphere—solemn yet deeply emotional, reflective yet radiant. In that meaningful setting, Maries was honored to be entrusted by the Organizing Committee to provide a set of Lepironia grass bag and conical hat featuring hand-painted peacock motifs as a gift for dancer Yáng Lìpíng — the living embodiment of the Peacock on stage. For Maries, this was not only a memorable milestone, but also a source of pride as Vietnamese handicrafts were present at a major artistic event of such scale.

Yáng Lìpíng—affectionately known by audiences as the “Peacock of Vietnamese dance”—has devoted her career to portraying the elegance and majesty of this iconic bird. In East Asian culture, the peacock is more than a stage image; it is a language of movement, breath, and artistic spirit. That shared symbolism created a natural connection between the program and Maries. On every Lepironia grass bag and hat, the meticulously hand-painted peacock motif is not designed merely for beauty, but to tell a story—one of cultural refinement and the quiet pride of Vietnam’s traditional craft villages.

Each piece presented on this occasion represents the result of a dedicated and patient creative process. From preparing and treating natural Lepironia grass fibers, shaping each product through traditional hand-weaving techniques, to layering acrylic paints by hand to recreate the soft gradation of peacock feathers—every step is carried out with precision and devotion. This is not mass production; it is personalized craftsmanship, where each detail bears the mark of the artisan. It is precisely this spirit that has positioned Maries’ creations as a line of premium handcrafted products chosen for distinguished occasions.

In an era of global integration, international art events increasingly serve as platforms where diverse cultural values intersect. The presence of Lepironia grass designs at “The Peacock Hanoi 2026” carried more than the meaning of a ceremonial gift. It reflected the essence of cultural diplomacy—where identity is conveyed through the most refined and thoughtful details. A hat or a bag may appear modest in scale, yet when placed in the right context, they become representatives of the Vietnamese spirit: humble, resilient, and deeply rooted in heritage.

For Maries, this moment reaffirmed that Vietnamese cultural gifts go beyond souvenir value. When design is thoughtfully invested in, craftsmanship standards are upheld, and the authenticity of traditional villages is respected, each creation can stand confidently alongside major artistic events—contributing to elevating Vietnamese handicrafts on the global creative map. The Organizing Committee’s choice stands as meaningful recognition of Maries’ long-standing commitment: preserving traditional essence while expressing it through contemporary design.

The moment when Yáng Lìpíng appeared with the peacock-motif bag and hat became a highlight filled with symbolism. It marked the meeting point between the art of dance and the art of craftsmanship; between the fluid movements on stage and the steady movements of artisans’ hands; between Eastern cultural spirit and modern urban life. Those images not only remained within the frames of the event but also resonated deeply with those devoted to the craft—serving as a reminder that tradition retains its rightful place when upheld with integrity and long-term vision.